Megan Cohen is a playwright, performer, game designer, dramaturg, multi-tasker, and Neo-Futurist based in San Francisco, CA.
Playwright & Performer
In 2014, I was honored with the “Keep An Eye On” Emerging Artist Award, my ensemble (Neo-Futurists) was named “Best Theater” in the SF Weekly Readers’ Poll, and my monthly event (Saturday Write Fever) was named “Best of the Bay (Humor/Improv)” by San Francisco Magazine. Personally, I was called “one very insightful and confident woman with a devilish sense of humor” by Huffington Post.
In 2012, I first became the most frequently produced female playwright in the San Francisco Bay Area, a title I still (to my knowledge) hold, with 60+ different productions and readings of my work since Jan ’12.
In other words, it’s been a pretty sweet couple of years, theater-wise.
My greatest artistic inspirations are playwright Tom Stoppard (for the challenge), artistic director Charles Ludlam (for the style), experimental ensemble “Forced Entertainment” (for the imagination), and actor Madeline Kahn. All the roles in all my plays are written for Madeline Kahn.
My mentors and teachers have included Carl Weber, Ehren Fordyce, Cherrie Moraga, Craig Slaight, Norman Kline, and James Kass. A high school dropout, I earned a B.A. with Honors from Stanford University (’05). I’ve eschewed the M.F.A. route in favor of learning directly from audiences, and from fellow artists young and old, with voices both known and new.
My plays have been performed across the U.S. and in the U.K., in venues ranging from Midtown Manhattan to small-town Montana.
I have appeared onstage hundreds of times with companies including The San Francisco Mime Troupe, No Nude Men, and American Conservatory Theater. Among other things, I’ve played… two different executioners (both male)… a talking bear… a perfect woman made in the image of Aphrodite… an asthmatic hunchbacked albino hillbilly… and even Princess Salome (yes, of the seven veils, and no, it wasn’t a comedy). I have showcased original solo performance at venues including Zeum, The Marsh, San Francisco Theater Pub, La Peña, and The Garage.
What My Work Is Like
Critics and theatermakers have described me as “upsetting,” “refreshing,” “an Absurdist,” “a natural Brechtian,” “a ruthless innovator,” “a highly engaging raconteur,” “relentless,” “hilarious,” “a sociopath,” “a genius,” “pointless,” “often humorous,” “smarter than I remembered,” “cute with a chewy gunpowder center” and “really… something.” Watching my pieces onstage, they’ve claimed to witness “the death of God,” “the death of fun,” and “fun.”
Audience members have laughed, wept, gasped, stormed out, thrown actual cash at the actors, jumped onstage to dance, and said some very nice things including “Don’t tell my girlfriend, but I liked your play better than hers,” “I would die to have written that,” and “I am coming back again tomorrow.”
What I’m Making Now
I am a charter member of the San Francisco Neo-Futurists, my hometown’s branch of the 25-years-running national ensemble which creates non-illusory performance. We were recently named “Best Theater” by SF Weekly’s readers. I write and perform original works as part of the rotating cast of our ongoing show Too Much Light Makes The Baby Go Blind (30 Plays in 60 Minutes). To see if I’m in this week’s show, check out SFNF on Facebook.
As a solo artist, I perform Take Me Home: a One-Woman Odyssey, based on Homer’s epic adventure poem. The piece had its first public showing in November 2013 as part of the SF Olympians Festival, and ran in SF in July 2014 and in Edinburgh, Scotland in August 2014. WOOHOO! A 12-hour durational version is in development right now.
Game Design and Online Content
I write game stories, with a specialty in mobile and social platforms like iPad and Facebook. My favorite projects are close collaborations where I work with a team to create an immersive and compelling fusion of narrative design and gameplay mechanics.
I occasionally do freelance content management, SEO consulting, and other editorial tasks in the online content world. I’ve written copy for web outlets including Yelp, Myspace Local, and the Discovery Channel’s Planet Green website (where I penned blog posts for a show starring Bill “The Science Guy” Nye).
Right now, I write for the mobile game Westbound!, a pioneer-themed adventure game full of cowboys and saloons, with over 100,000 5-star user reviews.
If you’re seeking game writing, online content, or editorial support, and are interested in seeing clips or discussing rates, please contact me directly via Email firstname.lastname@example.org or Twitter @WayBetterThanTV
I specialize in new play development; some recent projects include dramaturging the world premiere of Bone To Pick & Diadem by Eugenie Chan for Cutting Ball Theater (where I was formerly the Literary Manager), and the world premiere of Failure 2 Communicate by Valerie Fachman for Performers Under Stress.
I am mostly retired from production dramaturgy, but still love working one-on-one with playwrights. I am available for private consultations (in person or online) to support the development of new scripts, and offer personalized writing coaching for authors at all levels.
For more, check out this page on how and why to hire me as Your Personal Dramaturg.
Science Facts About Me
Dislikes: Jerks, bullies, the fact that over 20% of American children live in poverty.
Likes: Nachos, not being dead.